9/17/2023 0 Comments Hal 9000 eyeThis portion of the film is set in deep space, with the characters actually occupying different crafts. At the start of the scene, both characters have intentions of destroying the other one, but neither has admitted it to the other.Īlso remember the unique geography that Kubrick needs to manage. When Poole is set adrift in space, Bowman attempts an unsuccessful rescue in a small pod, leaving his spacesuit helmet behind. HAL, for his own part, has decided that their space exploration mission is too important to jeopardize with human error, and has started taking measures to eliminate Bowman and Poole. Poole have been suspicious about their on-ship computer, HAL 9000 (voiced by Douglas Rain), and, conferring secretly with each other, have decided to unplug it if any other suspicious activity comes up. Astronaut Dave Bowman (Keir Dullea) and his fellow crewmember Dr. Oh, and spoilers for 2001: A Space Odyssey ahead.įirst off, remember where we are in the story. There’s a lot to talk about in this scene, so let’s go. It’s this aspect of 2001 that I want to talk about, and rather than going through the entire film, I want to focus on one specific scene – this one: Its director, Stanley Kubrick, is rightfully remembered as one of the most gifted filmmakers of his generation, a man with a gift of taking complicated dramatic ideas or personal relationships and translating them into visual terms. Underneath the flash of the film’s incredible special effects, 2001 is a warhorse when it comes to visual storytelling. So much has been written about this film and its impact in the development of modern cinema, but there’s one aspect of it that I don’t often see touched upon. Has there ever been a film that has made such a profound impact on so many fields? An enormous landmark for special effects, an intellectually mature rumination of our place in the universe, and a corking suspense story all wrapped up with one of the most deliciously baffling and surreal conclusions to any film ever.ĭirector Stanley Kubrick on the set of ‘2001: A Space Odyssey’ In the annals of grandiose, epic space films, nothing is more grandiose, epic, or space-y than the genre’s grandfather, 2001: A Space Odyssey. It’s still early in Interstellar’s shelf life, but as early reviews and fan reactions pour in (and you can read our own thoughts on the film right here) it seems that Interstellar has left more than a few genre fans reaching back towards older movies to scratch certain itches the Nolan film didn’t quite reach. It’s grandiose! It’s profound! It’s a technical marvel! It’s bigger than anything else you’ve seen this year! And it’s… incredibly divisive as far as audience’s go. Christopher Nolan’s Interstellar, released last week, is the first truly big speculative space exploration film that we’ve had in while, and, if nothing else, the film has made for a big ostentatious release.
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